Download Jay Z Blueprint Album 22 !!LINK!!

Hip hop supergroup Deepspace5 recently released their long-awaited album, The Future Ain't What It Used To Be. But before that, in late 2009, if you were to hit up deepspace5.com, you would've had access to an exclusive, impromptu mixtape available as a free download. It had thirteen solid hip hop tracks, all influenced by Jay-Z... sort of.

Download Jay Z Blueprint Album 22

Jay-Z's latest album, The Blueprint 3, was one of 2009's most successful mainstream releases. During its pre-production stages, freelance producer/beatmaker Alex Goose composed some tracks that that he submitted to Jay-Z in hopes that he would use them on The Blueprint 3. Unfortunately for Goose, none of his beats made the cut, despite their quality and the fact that they sounded like beats you would hear on a Jay-Z album. But Goose was so proud of these beats that he had to share them, and he released them as a free download on his website for anyone who wanted them. This is where Deepspace5 comes in. While working on The Future..., they took time off, got Goose's tracks (which he titled The Blueprint 3 Outtakes), and composed thirteen fabulous hip hop tracks.

DS5's version of The Blueprint 3 Outtakes (which keep the same title) features five of the seven emcees in the group (there's no Listener or Sev Statik on this mixtape). Despite the release being so out-of-nowhere and having no record label backing, it's still as high quality of an album as DS5 fans have come to expect. While some of the emcees are more skilled than others, each one shines just as brightly as the others this time around. Fred B. is one that is pretty hit and miss when it comes to flow, but he's at the top of his game in "We In Here" and "Goose Needs This" (originally titled "Hova Needs This" on Goose's mixtape). sintax.the.terrific gets his own track on the low-key "Dear Daisy," and the similarly-titled "Dear Winter" gets the similar, one-emcee treatment with the similar-sounding manCHILD, getting a minute to himself. Sivion leads off the thumping beats of "No One Rides For Free," rapping about the free gift of "grace and eternity," while also tearing up the opening track "We In Here."

Playdough and manCHILD are featured most prominently in this mixtape, both appearing on nearly every track. What's interesting is that, while each of the emcees have their own flow style, and they do their own thing here as well, Playdough and manCHILD change theirs up a little. It's definitely due to the beats, which don't really reflect most (or any) of what you'd hear on their own albums. And they both do a great job adapting. Playdough's style seems to have changed the most. The mixtape highlight "Goose Needs This" showcases his usual sound (reminding me a little of his solo track "Don't Drink The Water"), but "Check Me Out Now" has him doing more of a gangsta sound, and his verse in "Brakes" makes his sound comparable to Jay-Z (appropriately enough).

Now, since The Blueprint 3 Outtakes was released independently, some of the emcees were a little more liberal as far as lyrical content than they would have been had they gone through Gotee like their last studio album (though they're with MegaRoyal Records now). While there's nothing outrageously vulgar, some of the lyrics would be considered offensive to some listeners. I counted one use of "taking a p*ss," and three or four (at least) uses of "n*gga." I also felt somewhat uneasy with the line "Your rap's so gay you should've featured Ellen on it." Altogether it's really not the worst you'll find in the genre, but still questionable regardless.

You know you can always count on Deepspace5 to produce a fantastic album, whether it's backed by a label or not. Goose's beats were fresh and clean by themselves, and adding DS5's verses only made them better. And to top it all off, as Fred B. says, "It's gratis y'all, we bless the beats." Aside from the objectionable content sprinkled on it, The Blueprint 3 Outtakes will please me more than The Blueprint 3 any day.

Sprint was an ideal partner in several ways. Jay Z had made it a point to partner with underdog brands throughout his career. Tidal is an underdog. Sprint is an underdog. Bing is an underdog. These partners might not match the industry leaders, but they are more willing to grant Jay Z the power desired to make his albums more lucrative than the average artist.

Not only is Jay-Z promising to give up some intimate details about his life on his September 18 release, The Blueprint, now Jigga is making good on his word to be more up-close-and-personal with his fans while performing tracks from the album.

Across his 22-year career, Jay-Z has released 13 studio albums, one compilation album, one mixtape, five collaborative albums, two live albums and one soundtrack. However, not every album release has gone exactly how the Brooklyn rapper wanted it to go. In the early stages of his musical journey, Carter was an extremely prolific writer.

In the summer of 2006, I was 15, and I heard "Dead Presidents II" for the first time. I matured late, and while I was still coming of age, this Jay had a confidence that I found drawing. I distinctly remember these moments: I was sitting in my room on a Monday morning before my summer job, and I had just downloaded "Dead Presidents II" and was amazed. I must have listened to that song at least 25 times that week. By the end of the fall, I was well-versed in his debut album, 1996's 'Reasonable Doubt,' and Jay was firmly my favorite rapper. That album played in my head like a movie, and every verse hit me with cinematic wonder. I was excited for his return with "Kingdom Come", and bought the CD the day it came out that November.

That takes us to '4:44', my favorite Jay Z album. It was easy, at age 17, to be attracted to an album like 'American Gangster' ("I want the sky, the world when I'm done") - the suits, the persona, the hustler. That image has propelled Jay Z as the confident, cool MC throughout his career. But that mystique and persona has overshadowed distasteful lyrical moments that both we, as his fans, and him, as the writer, have to face.

Not that the old music wasn't good (much of it was great), or the confidence wasn't real, but, at certain point - and Jay unearths this fact through the album - we learn that our pain, whatever that may be, leads us to build up walls in the way we present ourself to the world. "4:44" breaks down those walls. And we all step through the rubble, together, ready to move forward.

With damn near two decades logged in the game, it should come as no surprise that an artist like Jay Z, who at one point dropped albums less than one year apart from each other, is sitting on a Fort Knox-level of unreleased material. It should also be expected that even an artist as guarded as Jay has had information leaks here and there during that same time span, in which the existence of a few songs and collaborations that never actually came to fruition was confirmed. But unreleased songs get buried as new album sessions arise and as such, even the tracks we are blessed to know of have yet to see the light of day.

Despite being a bonafide Jay Z Stan, I don't subscribe to Tidal because, call me crazy, but I still like downloading and keeping a library. Kanye shrug. So far, "exclusive content" on Tidal has meant "wait patiently for it to be ripped and enjoy for free." But if Jay doubled down on the exclusivity promise and dropped any or all of the slew of intriguing but unreleased tracks he's been sitting on for all of these years? Fuck it, take my money, fam. (But pls include a download option, because still, libraries>>>.)

Jay Z and Drizzy's relationship got off to a good start when Drake featured on Jay Z's no. 1 selling album 'The Blueprint 3.' Drake's vocals were used on the chorus of 'Off That' but the song wasn't released. Picture: Getty

A year on from their first collaboration Jay Z returned the favour, featuring on his debut studio album 'Thank Me Later.' While Drake raps about his rise to the top Hov comes in with some coincidental advice for Drizzy: "Drake, here's how they gon' come at you/ With silly rap feuds, trying to distract you." It's like Jay Z knew. Picture: Getty

Drake lost out on the 'Best Rap Solo Performance' award at the 2009 Grammys to Jay Z's 'D.O.A' (off the same album Drizzy featured on - 'The Blueprint 3'). In an interview with Billboard two years later; he said: "The one that really got to me was when I lost to 'D.O.A.' for 'Best I Ever Had.' That one to me was, like, really?" But he did save himself; "Not to say that Jay-Z isn't the most incredible rapper and that 'D.O.A.' wasn't a good song."

Jay Z obviously didn't take any offence to Drake's comment as a few years later they were back in the studio together. Drizzy sent Jay Z 'Pound Cake' who wanted to use it on his 'Magna Carta Holy Grail' album, but in the ended they decided on Drake using it on 'Nothing Was The Same.' All very amicable. Picture: Getty

Speaking about why he decided to put his Drake-only version of 'Pop Style' on his album 'Views', Drizzy revealed that he didn't expect Hov to be on the song. "I was just having a conversation with Kanye and that just landed on my lap. I dealt with it accordingly. It didn't exactly play out how I would have wanted to, as far as business or whatever goes, so I just figured it would be easier to go with my version."Picture: Getty

JAY-Z appeared to send a message to Drake on his collaborative Beyonce album 'Everything Is Love'. On 'Boss' he rapped:" No cap, false n*gga you not a boss, you got a boss/ N*ggas getting jerk, that sh*t hurts, I take it personally/ N*ggas rather work for the man than to work with me/ Just so they can pretend they on my level, that sh*t is irkin' to me/ Pride always goeth before the fall, almost certainly." Picture: Getty

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